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Seite 85
In attempting to separate Swift's authentic work from the large mass of doubtful material that has at one time or another been attributed to him , it is dangerous to make any conjectures which depend on internal evidence of style alone ...
In attempting to separate Swift's authentic work from the large mass of doubtful material that has at one time or another been attributed to him , it is dangerous to make any conjectures which depend on internal evidence of style alone ...
Seite 183
Wordsworth is less judicial , and says bluntly that ' he writes a vicious style . ' And I think that all English purists regard it as a vicious style , produced in the main by a forced imitation of Milton . But the English reader is ...
Wordsworth is less judicial , and says bluntly that ' he writes a vicious style . ' And I think that all English purists regard it as a vicious style , produced in the main by a forced imitation of Milton . But the English reader is ...
Seite 184
Here we have the explanation why the Scottish historians and philosophers of the eighteenth century write in a style which seems to the English reader to be over - Latinized in vocabulary , and , as our schoolmasters know , is eminently ...
Here we have the explanation why the Scottish historians and philosophers of the eighteenth century write in a style which seems to the English reader to be over - Latinized in vocabulary , and , as our schoolmasters know , is eminently ...
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Inhalt
THE ESSAY ON CRITICIS M | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE BACKGROUND OF THE ATTACK | 68 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters LIBRARY light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tradition true turn UNIVERSITY whole writing written wrote