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The generalizations made below will apply in various degrees to the poets of the two centuries and also to poets of the seventeenth and the sixteenth , since the methods of forming the diction , and even part of the diction itself ...
The generalizations made below will apply in various degrees to the poets of the two centuries and also to poets of the seventeenth and the sixteenth , since the methods of forming the diction , and even part of the diction itself ...
Seite 217
It was in the pastoral and georgic , then , and in pastoral and georgic material intruding into other kinds , that the diction of the eighteenthcentury poets came to be most despised . This fate was inevitable since it was by jealously ...
It was in the pastoral and georgic , then , and in pastoral and georgic material intruding into other kinds , that the diction of the eighteenthcentury poets came to be most despised . This fate was inevitable since it was by jealously ...
Seite 305
duration with the former . . . the mutability of mankind will always furnish writers with new images.10 Johnson's criticism of the metaphysical poets is based on these premises - these poets do not move the passions , because they deal ...
duration with the former . . . the mutability of mankind will always furnish writers with new images.10 Johnson's criticism of the metaphysical poets is based on these premises - these poets do not move the passions , because they deal ...
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Inhalt
THE ESSAY ON CRITICIS M | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE BACKGROUND OF THE ATTACK | 68 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters LIBRARY light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tradition true turn UNIVERSITY whole writing written wrote