Im Buch
Ergebnisse 1-3 von 38
Seite 101
But if he succeeds in attaining that ' Simplicity without which no human Performance can arrive to any great Perfection , ' he may not only be eminently useful to his own age but also by reason of that perfect simplicity may continue to ...
But if he succeeds in attaining that ' Simplicity without which no human Performance can arrive to any great Perfection , ' he may not only be eminently useful to his own age but also by reason of that perfect simplicity may continue to ...
Seite 113
With perfect control of tone and pace , with perfect timing , he startles us into an awareness of this abyss and its implications . We are forced to gaze into the stupid , evil , brutal heart of humanity , and when we do , the laughter ...
With perfect control of tone and pace , with perfect timing , he startles us into an awareness of this abyss and its implications . We are forced to gaze into the stupid , evil , brutal heart of humanity , and when we do , the laughter ...
Seite 270
She intends to maintain the difference in their social stations and yet be perfectly affectionate and quite clear in her proposals . ... What a perfect blend of psychological contrasts , of moral implications , of social satire .
She intends to maintain the difference in their social stations and yet be perfectly affectionate and quite clear in her proposals . ... What a perfect blend of psychological contrasts , of moral implications , of social satire .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
THE ESSAY ON CRITICIS M | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE BACKGROUND OF THE ATTACK | 68 |
Urheberrecht | |
17 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters LIBRARY light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tradition true turn UNIVERSITY whole writing written wrote