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Seite 29
and characters that all poets make continual use of , and of which I shall say nothing here , but a kind that is specifically evaluative , constructing its image by setting beside some present object or situation not so much another ...
and characters that all poets make continual use of , and of which I shall say nothing here , but a kind that is specifically evaluative , constructing its image by setting beside some present object or situation not so much another ...
Seite 31
In the Rape of the Lock , from which the above examples are taken , Pope uses it to mirror in his lines and couplets the disarray of values in the society he describes , the confounding of ' antithetical objects like lapdogs and lovers ...
In the Rape of the Lock , from which the above examples are taken , Pope uses it to mirror in his lines and couplets the disarray of values in the society he describes , the confounding of ' antithetical objects like lapdogs and lovers ...
Seite 316
Where there is a sense of literature as process , pity and fear become states of mind without objects , moods which are ... Fear without an object , as a condition of mind prior to being afraid of anything , is called Angst or anxiety ...
Where there is a sense of literature as process , pity and fear become states of mind without objects , moods which are ... Fear without an object , as a condition of mind prior to being afraid of anything , is called Angst or anxiety ...
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Inhalt
THE ESSAY ON CRITICIS M | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE BACKGROUND OF THE ATTACK | 68 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters LIBRARY light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tradition true turn UNIVERSITY whole writing written wrote