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Seite 183
If I may cite my own experience I have never known him rhetorical . His danger is of quite another kind . He may strain after epigram . He likes a sparkling style . If when you are rhetorical you run the risk ' of filling the ear more ...
If I may cite my own experience I have never known him rhetorical . His danger is of quite another kind . He may strain after epigram . He likes a sparkling style . If when you are rhetorical you run the risk ' of filling the ear more ...
Seite 217
Nineteenth - century poets have a strong sense of the individual quality of each moment of experience . Late in their day , the ' Epilogue ' to Pater's Renaissance enunciated this part of their creed with exquisite finality .
Nineteenth - century poets have a strong sense of the individual quality of each moment of experience . Late in their day , the ' Epilogue ' to Pater's Renaissance enunciated this part of their creed with exquisite finality .
Seite 218
Whereas the nineteenthcentury poet is interested in the freshness of his response to experience , the eighteenth - century poet is interested in that response at a later stage : when the new has been welcomed by the old , when it has ...
Whereas the nineteenthcentury poet is interested in the freshness of his response to experience , the eighteenth - century poet is interested in that response at a later stage : when the new has been welcomed by the old , when it has ...
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Inhalt
THE ESSAY ON CRITICIS M | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE BACKGROUND OF THE ATTACK | 68 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters LIBRARY light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tradition true turn UNIVERSITY whole writing written wrote