Sam Peckinpah's Feature Films
University of Illinois Press, 1999 - 244 Seiten
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films.
At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood.
Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
action Alfredo Garcia average bad faith Ballad of Cable battle Bennie Billy the Kid Billy's Bishop bounty hunters Brandt brutal bullet bunker Cable Hogue camera moving Carol Cawsey characters Charlie Cross of Iron Danforth Deadly Companions death director dramatic Duck Dutch editing Elita fall Fassett federales film's fire Garrett and Billy Getaway half seconds Head of Alfredo High Country Hildy inpah Junior Bonner kill Killer Elite L. Q. Jones Locken Lyle Major Dundee Mapache medium close-up medium shot minutes movie Niles normal speed novel Osterman Weekend Pat Garrett Peckinpah cuts Peckinpah's films phase Pike revenge Riddaway Ride the High rifle rodeo Rudy Russian Sam Peckinpah says scene screenplay Scutt seconds per shot sequence Seydor shoots shotgun slow motion slow-motion soldier Steiner Steve Stransky Stransky's Straw Dogs takes Tanner Tector tells tempo theme Thornton Triebig Tyreen violence Weddle Wild Bunch window wound Yellowleg