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satirical way, he mentioned with praise and emotion little Fanny's generous behaviour to the Chevalier, and Altamont's enthusiasm in her behalf.

Miss Blanche was somewhat jealous, and a good deal piqued and curious about Fanny. Among the many confidential little communications which Arthur made to Miss Amory in the course of their delightful rural drives and their sweet evening walks, it may be supposed that our hero would not forget a story so interesting to himself, and so likely to be interesting to her, as that of the passion and cure of the poor little Ariadne of Shepherd's Inn. His own part in that drama he described, to do him justice, with becoming modesty; the moral which he wished to draw from the tale being one in accordance with his usual satirical mood, viz., that women get over their first loves quite as easily as men do (for the fair Blanche, in their intimcs conversations, did not cease to twit Mr. Pen about his notorious failure in his own virgin attachment to the Fotheringay), and, number one being withdrawn, transfer themselves to number two without much difficulty. And poor little Fanny was offered up in sacrifice as an instance to prove this theory. What griefs she had endured and surmounted, what bitter pangs of hopeless attachment she had gone through, what time it had taken to heal those wounds of the tender little bleeding heart, Mr. Pen did not know, or perhaps did not choose to know; for he was at once modest and doubtful about his capabilities as a conqueror of hearts, and averse to believe that he had executed any dangerous ravages on that particular one, though his own instance and argument told against himself in this case; for if, as he said, Miss Fanny was by this time in love with her surgical adorer, who had neither good looks nor good manners, nor wit, nor anything but ardour and fidelity to recommend him, must she not, in her first sickness of the love-complaint, have had a serious attack, and suffered keenly for a man, who had certainly a number of the showy qualities which Mr. Huxter wanted?

"You wicked odious creature," Miss Blanche said, "I believe that you are enraged with Fanny for being so impudent as to forget you, and that you are actually jealous of Mr. Huxter." Perhaps Miss Amory was right, as the blush which came in spite of himself and tingled upon Pendennis's cheek (one of those blows with which a man's vanity is constantly slapping his face) proved to Pen that he was angry to think he had been superseded by such a rival. By such a fellow as that! without any conceivable good quality! Oh, Mr. Pendennis! (although this remark does not apply to such a smart fellow as you) if Nature had not made that provision for each sex in the credulity of the other, which sees good qualities where none exist, good looks in donkeys' ears, wit in their numskulls, and music in their bray, there would not have been near so much marrying and giving in marriage as now obtains, and as is necessary for the due propagation and continuance of the noble race to which we belong!

"Jealous or not," Pen said, "and, Blanche, I don't say no, I should have liked Fanny to come to a better end than that. I don't like histories that end in that cynical way; and when we arrive at the conclusion of the story of a pretty girl's passion, to find such a figure as Huxter's at the last page of the tale. Is all life a compromise, my lady fair, and the end of the battle of love an ignoble surrender? Is the search for the Cupid which my poor little Psyche pursued in the darkness—the god of her soul's longing—the god of the blooming cheek and rainbow pinions—to result in Huxter, smelling of tobacco and gallipots? I wish, though I don't see it in life, that people could be like Jenny and Jessamy, or my lord and lady Clementina in the story-books and fashionable novels, and at once under the ceremony, and, as it were, at the parson's benediction, become perfectly handsome and good and happy ever after."

"And don't you intend to be good and happy, pray, Monsieur le Misanthrope—and are you very discontented with your lot—and will your marriage be a compromise—(asked the author of " Mes Larmes," with a charming moue)—and is your Psyche an odious vulgar wretch? You wicked satirical creature, I can't abide you! You take the hearts of young things, play with them, and fling them away with scorn. You ask for love and trample on it. You—you make me cry, that you do, Arthur, and—and don't—and I won't be consoled in

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that way—and I think Fanny was quite right in leaving such a heartless creature."

"Again, I don't say no," said Pen, looking very gloomily at Blanche, and not offering by any means to repeat the attempt at consolation which had elicited that sweet monosyllable " don't" from the young lady. "I don't think I have much of what people call heart; but I don't profess it. I made my venture when I was eighteen, and lighted my lamp and went in search of Cupid. And what was my discovery of love!—a vulgar dancing-woman. I failed, as everybody does, almost everybody; only it is luckier to fail before marriage than after."

V Merci da choix, Monsieur," said the Sylphide, making a curtsey.

"Look, my little Blanche," said Pen, taking her hand, and with his voice of sad good-humour; "at least I stoop to no flatteries."

"Quite the contrary," said Miss Blanche.

"And tell you no foolish lies, as vulgar men do. Why should you and I, with our experience, ape romance and dissemble passion? I do not believe Miss Blanche Amory to be peerless among the beautiful, nor the greatest poetess, nor the most surpassing musician, any more than I believe you to be the tallest woman in the whole world—like the giantess whose picture we saw as we rode through the fair yesterday. But if I don't set you up as a heroine, neither do I offer you your very humble servant as a hero. But I think you are—well, there, I think you are very sufficiently good-looking."

"Merci," Miss Blanche said, with another curtsey.

"I think you sing charmingly. I'm sure you're clever. I hope and believe that you are good-natured, and that you will be companionable."

"And so, provided I bring you a certain sum of money and a seat in Parliament, you condescend to fling to me your royal pocket-handkerchief," said Blanche. "Que d'honneur! We used to call your Highness the Prince of Fairoaks. What an honour to think that I am to be elevated to the throne, and to bring the seat in Parliament as backsheesh to the sultan! I am glad I am clever, and that I can play and sing to your liking; my songs will amuse my lord's leisure."

"And if thieves are about the house," said Pen, grimly pursuing the simile, "forty besetting thieves in the shape of lurking cares and enemies in ambush and passions in arms, my Morgiana will dance round me with a tambourine, and kill all my rogues and thieves with a smile. Won't she?" But Pen looked as if he did not believe that she would. "Ah, Blanche," he continued after a pause, "don't be angry; don't be hurt at my truth-telling. Don't you see that I always take you at your word? You say you will be a slave and dance—I say, dance. You say, 'I take you with what you bring:' I say, 'I take you with what you bring.' To the necessary deceits and hypocrisies of our life, why add any that are useless and unnecessary? If I offer myself to you because I think we have a fair chance of being happy together, and because by your help I may get for both of us a good place and a not undistinguished name, why ask me to feign raptures and counterfeit romance, in which neither of us believe? Do you want me to come wooing in a Prince Prettyman's dress from the masquerade warehouse, and to pay you compliments like Sir Charles Grandison? Do you want me to make you verses as in the days when we were—when we were children? I will if you like, and sell them to Bacon and Bungay afterwards. Shall I feed my pretty princess with bonbons?"

"Mais f adore les bonbons, moi," said the little Sylphide, with a queer piteous look.

"I can buy a hatful at Fortnum and Mason's for a guinea. And it shall have its bonbons, its pootty little sugarplums, that it shall," Pen said with a bitter smile. "Nay, my dear, nay my dearest little Blanche, don't cry. Dry the pretty eyes, I can't bear that; " and he proceeded to offer that consolation which the circumstance required and which the tears, the genuine tears of vexation, which now sprang from the angry eyes of the author of " Mes Larmes," demanded.

The scornful and sarcastic tone of Pendennis quite frightened and overcame the girl. "I—I don't want your consolation. I—I never was—so—spoken to bef—by any of my— my—by anybody "—she sobbed out, with much simplicity.

"Anybody!" shouted out Pen with a savage burst of laughter, and Blanche blushed one of the most genuine blushes which her cheek had ever exhibited, and she cried out, "Oh, Arthur, vous etes un homme terrible!" She felt bewildered, frightened, oppressed, the worldly little flirt who had been playing at love for the last dozen years of her life, and yet not displeased at meeting a master.

"Tell me, Arthur," she said, after a pause in this strange love-making, "why does Sir Francis Clavering give up his seat in Parliament?"

"Au fait, why does he give it to me?" asked Arthur, now blushing in his turn.

"You always mock me, sir," she said. "If it is good to be in Parliament, why does Sir Francis go out?"

"My uncle has talked him over. He always said that you were not sufficiently provided for. In the—the family disputes, when your mamma paid his debts so liberally, it was stipulated, I suppose, that you—that is, that I—that is, upon my word, I don't know why he goes out of Parliament," Pen said, with rather a forced laugh. "You see, Blanche, that you and I are two good little children, and that this marriage has been arranged for us by our mammas and uncles, and that we must be obedient, like a good little boy and girl."

So, when Pen went to London, he sent Blanche a box of bonbons, each sugarplum of which was wrapped up in readymade French verses, of the most tender kind; and, besides, despatched to her some poems of his own manufacture, quite as artless and authentic; and it was no wonder that he did not tell Warrington what his conversations with Miss Amory had been, of so delicate a sentiment were they, and of a nature so necessarily private.

And if, like many a worse and better man, Arthur Pendennis, the widow's son, was meditating an apostasy, and going to sell himself to—we all know whom,—at least the renegade did not pretend to be a believer in the creed to which he was ready to swear. And if every woman and man in this kingdom, who has sold her or himself for money or position, as Mr. Pendennis was about to do, would but purchase a copy of his memoirs, what tons of volumes Messrs. Smith, Elder and Co. would sell!

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