"Beyond All Tears": The Holocaust Plays of George Tabori

abstraction According action actors actual Adolf Hitler allows atrocity attempt attitude audience Auschwitz become beginning behavior Brecht Brechtian calls Cannibals characters choice claims confront consider contends continue Courage created critical death depiction describes desire direct distancing effect Elsa emotional evil example experience fact father fear forces future George German Gestus Gretchen hero historical Hitler Holocaust plays human humor Ibid idea imagination involves Jewish Jews Kampf kind Langer language literature lives Lobkowitz meaning Mein Kampf moral mother murdered narrative nature Nazi never noted once past performance person possible present production questions quoted realism reality referring remembering representation response reviewer role scene Schlomo serve social society son's stage story suggests survivors Tabori tells theatre theatrical traditional traditional narrative truth Uncle University various victims writing York