Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 18Indiana University Press, 1996 |
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Seite 21
... Riefenstahl too much space to maneuver , Müller replied , " I hate films which tell me what to think . " 5 Müller lets Riefenstahl demon- strate her pride in the technical and aesthetic aspects of just those films made during the Nazi ...
... Riefenstahl too much space to maneuver , Müller replied , " I hate films which tell me what to think . " 5 Müller lets Riefenstahl demon- strate her pride in the technical and aesthetic aspects of just those films made during the Nazi ...
Seite 29
... Riefenstahl's memoir begins with an extended account of her busi- nessman father's vehement opposition to her artistic aspirations and her own defiant perseverance . She also recounts liaisons and attractions , both sexual and chaste ...
... Riefenstahl's memoir begins with an extended account of her busi- nessman father's vehement opposition to her artistic aspirations and her own defiant perseverance . She also recounts liaisons and attractions , both sexual and chaste ...
Seite 35
... Riefenstahl's memoir portrays a woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as ...
... Riefenstahl's memoir portrays a woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as ...
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