Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 55
Seite 61
... whole series of plastic reminiscences , symbolic transcriptions , but also childhood memories and personal feelings . In the face of such a piece of analysis ( it goes on for pages ) , the protestations of anti- Freudianism carry very ...
... whole series of plastic reminiscences , symbolic transcriptions , but also childhood memories and personal feelings . In the face of such a piece of analysis ( it goes on for pages ) , the protestations of anti- Freudianism carry very ...
Seite 84
... Whole in which the spectator , the film , and Eisenstein all participate , and in which ecstasy aims only at insuring that one loses oneself , indefinitely . V. The Charms of the Dialectic Eisenstein is very precisely the contemporary ...
... Whole in which the spectator , the film , and Eisenstein all participate , and in which ecstasy aims only at insuring that one loses oneself , indefinitely . V. The Charms of the Dialectic Eisenstein is very precisely the contemporary ...
Seite 86
... whole conception of montage ( from the montage of attraction and harmonic montage , in which the " leap " from one frag- ment to the following one is always defined in terms of conflict , right down to " audio - visual counterpoint ...
... whole conception of montage ( from the montage of attraction and harmonic montage , in which the " leap " from one frag- ment to the following one is always defined in terms of conflict , right down to " audio - visual counterpoint ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word