Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 95
... sphinx in the sections which come previous to that , were you trying to make a comment upon the mother - child dyad , with the sphinx being that part left out of the conventional formulation of the Oedipal scenario ? LM : Yes . I think ...
... sphinx in the sections which come previous to that , were you trying to make a comment upon the mother - child dyad , with the sphinx being that part left out of the conventional formulation of the Oedipal scenario ? LM : Yes . I think ...
Seite 96
... sphinx . You've said that the sphinx is the voice of repressed femininity . But the voice - off in the film has so many different types of discourse . LM : We wanted the discourse of the Sphinx at the beginning of the film to evoke ...
... sphinx . You've said that the sphinx is the voice of repressed femininity . But the voice - off in the film has so many different types of discourse . LM : We wanted the discourse of the Sphinx at the beginning of the film to evoke ...
Seite 104
... sphinx is a fictional construction that voices a certain textual strategy , a strategy that will utilize the " Sphinx as an imginary narrator " in order to interact with other aspects of the text . One of the levels upon which this ...
... sphinx is a fictional construction that voices a certain textual strategy , a strategy that will utilize the " Sphinx as an imginary narrator " in order to interact with other aspects of the text . One of the levels upon which this ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word