Im Buch
Ergebnisse 1-3 von 37
Seite 118
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
Seite 113
Thus the space , fragmented by the cutting / editing , deformed by the framing , nonetheless remains unified and continuous . And this is quite obviously due to this scrupulously thorough positioning of the figures in the space .
Thus the space , fragmented by the cutting / editing , deformed by the framing , nonetheless remains unified and continuous . And this is quite obviously due to this scrupulously thorough positioning of the figures in the space .
Seite 119
16 Let me repeat , I am not denying that Eisenstein treats space in a very written mode . Whether he “ flattens it out ” ( as with the case of the shot of Ivan at Alexandrov ) or whether , much more frequently , he hollows it out by ...
16 Let me repeat , I am not denying that Eisenstein treats space in a very written mode . Whether he “ flattens it out ” ( as with the case of the shot of Ivan at Alexandrov ) or whether , much more frequently , he hollows it out by ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |