Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 19
... signifier is constituted by the whole denota- tive code ( signifier and signified ) . But it is the expression “ consti- tuted by " which presents a problem . This seems to imply that a signifier of connotation is made up merely of the ...
... signifier is constituted by the whole denota- tive code ( signifier and signified ) . But it is the expression “ consti- tuted by " which presents a problem . This seems to imply that a signifier of connotation is made up merely of the ...
Seite 24
... signifier of connotation ( one - sided ) ; a development which is at the root of the concept , today generally diffused in semiology , of connota- tion as the " disengaged " or " dislocated " code : the signifier , and only the signifier ...
... signifier of connotation ( one - sided ) ; a development which is at the root of the concept , today generally diffused in semiology , of connota- tion as the " disengaged " or " dislocated " code : the signifier , and only the signifier ...
Seite 31
... signifier is seen as the mechanical sum ( addition ) of the signifier and the signified of denotation , and conceive it rather as a specific socio - cultural configuration , irreducible to any denotation , but whose realization is ...
... signifier is seen as the mechanical sum ( addition ) of the signifier and the signified of denotation , and conceive it rather as a specific socio - cultural configuration , irreducible to any denotation , but whose realization is ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word