Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 121
... sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread is lost . It's a return to questions of desire . It's true that you've lost the narrative ...
... sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread is lost . It's a return to questions of desire . It's true that you've lost the narrative ...
Seite 100
... sequence " a passage from each of the two parts of the film , so that I could take an oblique approach to Ivan , Part 1 and Part 2 , and their difference . Eisenstein himself specifically designated the sequence of the lamentations over ...
... sequence " a passage from each of the two parts of the film , so that I could take an oblique approach to Ivan , Part 1 and Part 2 , and their difference . Eisenstein himself specifically designated the sequence of the lamentations over ...
Seite 140
... sequence , and , secondly , on the fact that the themes of the sequence can be carried , according to the moment , by any given expressive means , in particular by the music and the color . ( " When the theme intersects with the ...
... sequence , and , secondly , on the fact that the themes of the sequence can be carried , according to the moment , by any given expressive means , in particular by the music and the color . ( " When the theme intersects with the ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word