Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 13
... precisely from the new statutes of the science that , in my opinion , cannot be dissociated from the stat- utes of scientific discourse itself : the differences that contrast and will contrast Levi - Strauss and La- can , for example ...
... precisely from the new statutes of the science that , in my opinion , cannot be dissociated from the stat- utes of scientific discourse itself : the differences that contrast and will contrast Levi - Strauss and La- can , for example ...
Seite 52
... precisely , its relationship to what it is made out of ( what is sometimes called the " profilmic " 12 ) . Here it is a question of shooting ( prise de vue ) -and the characteristic of the Eisensteinian frag- ment is here , precisely ...
... precisely , its relationship to what it is made out of ( what is sometimes called the " profilmic " 12 ) . Here it is a question of shooting ( prise de vue ) -and the characteristic of the Eisensteinian frag- ment is here , precisely ...
Seite 55
... precisely such and such an object and no other - of an object precisely from this point of view with this " framing " ( Ausschnitt , as the Germans say ) , and not another . And the cinematic conditions create the " image- figure " from ...
... precisely such and such an object and no other - of an object precisely from this point of view with this " framing " ( Ausschnitt , as the Germans say ) , and not another . And the cinematic conditions create the " image- figure " from ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word