Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 45
Seite 11
... position would involve a male appropriation of feminist issues and that it would be dishonest to attempt to define the role of the female subject in the audience , because you can't put yourself in her place . M : Yes , that's the ...
... position would involve a male appropriation of feminist issues and that it would be dishonest to attempt to define the role of the female subject in the audience , because you can't put yourself in her place . M : Yes , that's the ...
Seite 24
... position , while in the latter the voyeuristic position has been transformed . " To know " is a transformation of " to see , to look . " Q : You have spoken of the notion of drives at a distance : the scopic drive ( the desire for ...
... position , while in the latter the voyeuristic position has been transformed . " To know " is a transformation of " to see , to look . " Q : You have spoken of the notion of drives at a distance : the scopic drive ( the desire for ...
Seite 135
... position of the characters , nor a simple moral judgement about them , nor even about their political position - but something much more archetypal , which is superimposed on all these other meanings . Another example of this symbolic ...
... position of the characters , nor a simple moral judgement about them , nor even about their political position - but something much more archetypal , which is superimposed on all these other meanings . Another example of this symbolic ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word