Im Buch
Ergebnisse 1-3 von 25
Seite 118
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
Seite 8
Bellour : This analogical play that you establish implicitly between fashion and literature finds a direct echo in the double orientation of your work : you have just recently published an important text that opens the special ...
Bellour : This analogical play that you establish implicitly between fashion and literature finds a direct echo in the double orientation of your work : you have just recently published an important text that opens the special ...
Seite 11
If literature is a dialogue of texts , then obviously the whole realm of history comes into play in literary language , in a completely new way however , unsuspected by our historians , sociologists , or theoreticians of literary ...
If literature is a dialogue of texts , then obviously the whole realm of history comes into play in literary language , in a completely new way however , unsuspected by our historians , sociologists , or theoreticians of literary ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing