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fetishism , is disavowal , and the object would be the fetish itself . Q : But there is a distinction between identification with the operation of seeing ( i.e. , with the camera ) versus seeing an object on screen that is fetishized .
fetishism , is disavowal , and the object would be the fetish itself . Q : But there is a distinction between identification with the operation of seeing ( i.e. , with the camera ) versus seeing an object on screen that is fetishized .
Seite 25
The difference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real " repression " in the analytic sense . Drives have a much looser relation with their ...
The difference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real " repression " in the analytic sense . Drives have a much looser relation with their ...
Seite 6
semiologist , before , or more precisely , within the systematic universe that constitutes the object of his inquiry . It seems , on the other hand , that the very possibility of “ reading ” appropriate to a work of this order is tied ...
semiologist , before , or more precisely , within the systematic universe that constitutes the object of his inquiry . It seems , on the other hand , that the very possibility of “ reading ” appropriate to a work of this order is tied ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |