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Seite 49
In a contradiction which is never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be given , and all of them would demonstrate that Eisenstein never stopped ...
In a contradiction which is never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be given , and all of them would demonstrate that Eisenstein never stopped ...
Seite 50
To tell the truth , Eisenstein never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed ...
To tell the truth , Eisenstein never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed ...
Seite 70
I believe in fact that it is around this point that all of Eisenstein's tactical and defensive positions crystallized , in response to the general " critique of formalism " offensive . He never makes that " dichotomy " his own .
I believe in fact that it is around this point that all of Eisenstein's tactical and defensive positions crystallized , in response to the general " critique of formalism " offensive . He never makes that " dichotomy " his own .
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |