Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 49
... never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be given , and all of them would demonstrate that Eisenstein never stopped pursuing control of every ...
... never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be given , and all of them would demonstrate that Eisenstein never stopped pursuing control of every ...
Seite 50
... never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the ...
... never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the ...
Seite 78
... never stop leaping out of one another's pockets . ) Ecstasy inasmuch as it belongs to pathos , is very logically first of all defined , or rather , justified , in terms of effectiveness . Even when he envisages certain forms of ecstasy ...
... never stop leaping out of one another's pockets . ) Ecstasy inasmuch as it belongs to pathos , is very logically first of all defined , or rather , justified , in terms of effectiveness . Even when he envisages certain forms of ecstasy ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word