Im Buch
Ergebnisse 1-3 von 39
Seite 79
Without wishing to reduce the matter to a simple biographical coincidence , it can still be pointed out that from Ivan , Part 1 to Ivan , Part 2 , a movement takes place . It is a movement between , on one hand , the taking out of an ...
Without wishing to reduce the matter to a simple biographical coincidence , it can still be pointed out that from Ivan , Part 1 to Ivan , Part 2 , a movement takes place . It is a movement between , on one hand , the taking out of an ...
Seite 91
this curve ( the logarithmic spiral ) has been given precisely the meaning which , in our interpretation , is also found at the basis of the universal movement . It is precisely this curve which signifies , figuratively , the passage ...
this curve ( the logarithmic spiral ) has been given precisely the meaning which , in our interpretation , is also found at the basis of the universal movement . It is precisely this curve which signifies , figuratively , the passage ...
Seite 99
It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined subsequently . It is movement which is going to show us in a tangible way the meaning of this unification and its method ...
It is movement which will reveal to us all the deepest levels of internal synchronization , which can be determined subsequently . It is movement which is going to show us in a tangible way the meaning of this unification and its method ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing