Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 57
... montage and its embryo - the frame- characterized ? By collision . By the conflict of two fragments placed side by side . By conflict . By collision . ( " Outside the Frame , " 1929 , RW 2 , p . 290 ) Naturally , the texts from which I ...
... montage and its embryo - the frame- characterized ? By collision . By the conflict of two fragments placed side by side . By conflict . By collision . ( " Outside the Frame , " 1929 , RW 2 , p . 290 ) Naturally , the texts from which I ...
Seite 94
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
Seite 95
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
Inhalt
Editorial 37 | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept criticism critique Darko Suvin denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word