Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 94
... means to challenge the domin- ant order and its means of expression . However , the dominant cultural order has contradictions of its own ; it is by no means a blanket totality . To be precise : things do change and are changing . It is ...
... means to challenge the domin- ant order and its means of expression . However , the dominant cultural order has contradictions of its own ; it is by no means a blanket totality . To be precise : things do change and are changing . It is ...
Seite 6
... means of a subsequent disjunction between image and text . As is the case with the point of view , it is difficult to identify a stable enunciative position governing the relation between the image and the dialog . The very subtle ...
... means of a subsequent disjunction between image and text . As is the case with the point of view , it is difficult to identify a stable enunciative position governing the relation between the image and the dialog . The very subtle ...
Seite 81
... means : The procession and the prayer for rain turn essentially on the means of production - one might call them " theatrical " -acting on the spectator through the behavior of the characters . [ ... ] As for the scene with the cream ...
... means : The procession and the prayer for rain turn essentially on the means of production - one might call them " theatrical " -acting on the spectator through the behavior of the characters . [ ... ] As for the scene with the cream ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word