Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 16
... material - the material of the signifier - is utilized to represent something else . VALENTI And this " something else " is the represented. Gillray's projection , " The Peace of Amiens " . ( Ceram ) The Phantasmagoria , engraving from ...
... material - the material of the signifier - is utilized to represent something else . VALENTI And this " something else " is the represented. Gillray's projection , " The Peace of Amiens " . ( Ceram ) The Phantasmagoria , engraving from ...
Seite 17
... material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the theater is real persons actually present during the performance . In the movies , the actor is absent during the ...
... material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the theater is real persons actually present during the performance . In the movies , the actor is absent during the ...
Seite 60
... material production . We are engaged , that is to say , in productive activity within the social and material world - the world we make and the world we find made for us by others . The human , here considered as a subject , works on ...
... material production . We are engaged , that is to say , in productive activity within the social and material world - the world we make and the world we find made for us by others . The human , here considered as a subject , works on ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word