Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 4
... look is structured and thus creates a stable position that anchors an otherwise confusing visual matrix . Although the video opens with a frontal image of a man eating chow - mein and follows it with a point - of - view shot suggesting ...
... look is structured and thus creates a stable position that anchors an otherwise confusing visual matrix . Although the video opens with a frontal image of a man eating chow - mein and follows it with a point - of - view shot suggesting ...
Seite 5
... look of the spectator is essentially inscribed within the painting and returned to him through the gaze of Mao . Vision is unable to extricate itself from the mediation of representation . The cen- tralized figure of Mao as well as the ...
... look of the spectator is essentially inscribed within the painting and returned to him through the gaze of Mao . Vision is unable to extricate itself from the mediation of representation . The cen- tralized figure of Mao as well as the ...
Seite 120
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word