Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Ergebnisse 1-3 von 41
Seite 81
... laws of form of cinema . Eisenstein's responses to that interrogation varied enormously , as everyone knows . But I am compelled to observe that beneath all these variations , the theme remained absolutely constant . The laws of form ...
... laws of form of cinema . Eisenstein's responses to that interrogation varied enormously , as everyone knows . But I am compelled to observe that beneath all these variations , the theme remained absolutely constant . The laws of form ...
Seite 83
... laws whose essence is dialectical ; and especially that in dialectical nature , transformations do not take place ... laws of nature , to the great dialectical laws of incessant transformation by leaps and bounds : 47 This sort of work ...
... laws whose essence is dialectical ; and especially that in dialectical nature , transformations do not take place ... laws of nature , to the great dialectical laws of incessant transformation by leaps and bounds : 47 This sort of work ...
Seite 98
... laws and natural laws in a text of 1934 , " Organicism and Imagnicity " ( written connection with the Régissoura project ) . Among other things we find there the following remarks : " The very law of structure of a phenomenon is ...
... laws and natural laws in a text of 1934 , " Organicism and Imagnicity " ( written connection with the Régissoura project ) . Among other things we find there the following remarks : " The very law of structure of a phenomenon is ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word