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Seite 95
And that's why I think working within existing external traditions , like the women's traditions and the avant - garde traditions that I mentioned before , is important . But I think with Riddles , rather than just saying women are ...
And that's why I think working within existing external traditions , like the women's traditions and the avant - garde traditions that I mentioned before , is important . But I think with Riddles , rather than just saying women are ...
Seite 102
... and conformity to superiors are more important than hard work and selfdiscipline , who you know more important than what you know , identification with the organization more important than personal virtuosity and 102 Discourse # 2.
... and conformity to superiors are more important than hard work and selfdiscipline , who you know more important than what you know , identification with the organization more important than personal virtuosity and 102 Discourse # 2.
Seite 116
If I insist so much , it is because it is of fundamental importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the conflict . ... But it is also especially important in order to ...
If I insist so much , it is because it is of fundamental importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the conflict . ... But it is also especially important in order to ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |