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Seite 52
Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is nothing ...
Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is nothing ...
Seite 53
It is true that he does it less perfectly than the film director does , although in a more refined way , but at the same time less consciously , for the stage director is not constrained to “ frame , ” each time taking into the frame ...
It is true that he does it less perfectly than the film director does , although in a more refined way , but at the same time less consciously , for the stage director is not constrained to “ frame , ” each time taking into the frame ...
Seite 119
A few remarks have already been made concerning the frame . Here , as in the silent films , the frame functions as a relatively autonomous unit , and all the more openly because it is based on a more immediate referent , the one posited ...
A few remarks have already been made concerning the frame . Here , as in the silent films , the frame functions as a relatively autonomous unit , and all the more openly because it is based on a more immediate referent , the one posited ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |