Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 69
... frame , everything which is in- side of this frame takes on dimensions and a significance which is relative to this frame and does not exist outside of it . In other words , the frame limits and delimits a field which de- termines a ...
... frame , everything which is in- side of this frame takes on dimensions and a significance which is relative to this frame and does not exist outside of it . In other words , the frame limits and delimits a field which de- termines a ...
Seite 52
... frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is ...
... frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is ...
Seite 119
... frame . Here , as in the silent films , the frame functions as a relatively autonomous unit , and all the more openly because it is based on a more immediate referent , the one posited by the evidence of the prior mise - en - scène ...
... frame . Here , as in the silent films , the frame functions as a relatively autonomous unit , and all the more openly because it is based on a more immediate referent , the one posited by the evidence of the prior mise - en - scène ...
Inhalt
Editorial 37 | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept criticism critique Darko Suvin denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word