Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 40
Seite 16
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
Seite 21
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
Seite 62
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word