Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 31
... figure . For example , what mental processes produce a lap dissolve ? In your lectures you gave extensive example of analyses of the different axes of these processes of figuration : metaphor / me- tonymy , primary / secondary ...
... figure . For example , what mental processes produce a lap dissolve ? In your lectures you gave extensive example of analyses of the different axes of these processes of figuration : metaphor / me- tonymy , primary / secondary ...
Seite 5
... figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's own representation ...
... figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's own representation ...
Seite 136
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
Inhalt
Editorial 37 | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept criticism critique Darko Suvin denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word