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At the point where the figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's ...
At the point where the figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's ...
Seite 21
The paradigm of this evolution is the vertical figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is ...
The paradigm of this evolution is the vertical figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is ...
Seite 136
as the lowest term in a certain topology35 ) that his representation as a feminine figure is brought into play . ... This is so , first of all , because it produces its figures in a transhistorical field which is properly speaking that ...
as the lowest term in a certain topology35 ) that his representation as a feminine figure is brought into play . ... This is so , first of all , because it produces its figures in a transhistorical field which is properly speaking that ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |