Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 68
Seite 16
... fiction- making can be seen as an oscillation of belief / disbelief , how do you differentiate fiction in the cinema from fiction in the theater ? M : The difference lies , I think , in the balance of forces between the two aspects of ...
... fiction- making can be seen as an oscillation of belief / disbelief , how do you differentiate fiction in the cinema from fiction in the theater ? M : The difference lies , I think , in the balance of forces between the two aspects of ...
Seite 27
... fiction because " it doesn't have to be checked . " . Q : In the case of cinema , is not the process of identification affected in a similar fashion when the spectators assume that they are viewing some version of social reality in the ...
... fiction because " it doesn't have to be checked . " . Q : In the case of cinema , is not the process of identification affected in a similar fashion when the spectators assume that they are viewing some version of social reality in the ...
Seite 115
... fiction , his attempt to define formal genre categories leads him to separate this continuum into a sharp dichotomy . The claim is that naturalist fiction portrays the Same ( author's empirical environment ) by the Same ( " exact ...
... fiction , his attempt to define formal genre categories leads him to separate this continuum into a sharp dichotomy . The claim is that naturalist fiction portrays the Same ( author's empirical environment ) by the Same ( " exact ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word