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Seite 9
M : Cinema studies - not exactly the cinematic fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and ...
M : Cinema studies - not exactly the cinematic fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and ...
Seite 50
For Metz , the merging of cinema and of narrativity was a " great fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the ...
For Metz , the merging of cinema and of narrativity was a " great fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the ...
Seite 28
The fact that in matters sexual and cinematic , those who line up with power are men and those who end up in confinement women , is not particularly new or surprising . But it should be kept in mind when reading Foucault's conclusion ...
The fact that in matters sexual and cinematic , those who line up with power are men and those who end up in confinement women , is not particularly new or surprising . But it should be kept in mind when reading Foucault's conclusion ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |