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Seite 9
suicide to become an event is for millions of men and women to be able to see in it the drama of the star system , the unhappy working girl who lies hidden in the superstar , the tragedy of beauty cut down in the midst of life ...
suicide to become an event is for millions of men and women to be able to see in it the drama of the star system , the unhappy working girl who lies hidden in the superstar , the tragedy of beauty cut down in the midst of life ...
Seite 10
Everything in that event contributed to the contrast that was legitimately exploited by the organizers of that interplanetary " show . ” It was an inconceivable demonstration of technical power carried out with a dreamlike precision .
Everything in that event contributed to the contrast that was legitimately exploited by the organizers of that interplanetary " show . ” It was an inconceivable demonstration of technical power carried out with a dreamlike precision .
Seite 12
We are constantly calling for more and more events , out of anxiety produced by the smooth and uniform surface of time ... It would be more precise to say that formerly something extraordinary had to occur for there to be an event , but ...
We are constantly calling for more and more events , out of anxiety produced by the smooth and uniform surface of time ... It would be more precise to say that formerly something extraordinary had to occur for there to be an event , but ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing