Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 17
... diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the ...
... diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the ...
Seite 18
... diegesis . How would one articulate the relationship between the role of the diegesis of the film , or theater or novel , and the role of diegesis in psychoanalytic therapy ? M : There is one main difference , I think , between diegesis ...
... diegesis . How would one articulate the relationship between the role of the diegesis of the film , or theater or novel , and the role of diegesis in psychoanalytic therapy ? M : There is one main difference , I think , between diegesis ...
Seite 104
... diegetic construction ( " Laura " in section two ) will be subject to conflation with the traditionally privileged voice of the " author ; " and 2 ) the strongly codified ( thus com- plicitous ) figure of the sphinx will be used in a ...
... diegetic construction ( " Laura " in section two ) will be subject to conflation with the traditionally privileged voice of the " author ; " and 2 ) the strongly codified ( thus com- plicitous ) figure of the sphinx will be used in a ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word