Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 19
... denotation itself would assume that position . In this perspective I had theorized , for example , that the filmed and recognizable object ( signified of denotation ) , and the manner of filming it ( signifier of denotation ) , provide ...
... denotation itself would assume that position . In this perspective I had theorized , for example , that the filmed and recognizable object ( signified of denotation ) , and the manner of filming it ( signifier of denotation ) , provide ...
Seite 24
... denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ- entiation to an entire discourse , it does not explain how definite and fixed connotations can be linked to the denoted ...
... denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ- entiation to an entire discourse , it does not explain how definite and fixed connotations can be linked to the denoted ...
Seite 30
... denotation and designate the same identifiable object ( in this case , a specific musical instrument which is a unit within a cul- tural taxonomy ) . But they do not have the same signified of con- notation , since crin - crin is a ...
... denotation and designate the same identifiable object ( in this case , a specific musical instrument which is a unit within a cul- tural taxonomy ) . But they do not have the same signified of con- notation , since crin - crin is a ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word