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Seite 14
And of course if you switch to cinema problems , the fetish can become a very different object . Q : Just another question to follow up on this : In Freud , fetishism seems to be connected with castration anxiety - how does that relate ...
And of course if you switch to cinema problems , the fetish can become a very different object . Q : Just another question to follow up on this : In Freud , fetishism seems to be connected with castration anxiety - how does that relate ...
Seite 80
If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) . But it will nonetheless retain , as Eisenstein himself says , a “ pre ...
If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) . But it will nonetheless retain , as Eisenstein himself says , a “ pre ...
Seite 122
I am speaking of the very famous shadow which , in shot 9 and then again in shot 11 , literally detaches itself from Ivan and accompanies , or rather , precedes and follows him , as though it had a life of its own , during the course of ...
I am speaking of the very famous shadow which , in shot 9 and then again in shot 11 , literally detaches itself from Ivan and accompanies , or rather , precedes and follows him , as though it had a life of its own , during the course of ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |