Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 20
... character who is looked at by another character who is off - frame . This off - character is a kind of substitute for the spectator , because part of the definition of the spectator is to be off - frame . And so the character - off ...
... character who is looked at by another character who is off - frame . This off - character is a kind of substitute for the spectator , because part of the definition of the spectator is to be off - frame . And so the character - off ...
Seite 21
... character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated . But in these shots , you also have characters who are not off , but who are looked at by the character - off . And so you ...
... character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated . But in these shots , you also have characters who are not off , but who are looked at by the character - off . And so you ...
Seite 135
... character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of a given ...
... character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of a given ...
Inhalt
Editorial 37 | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept criticism critique Darko Suvin denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word