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In your view such a film would actually be less radical because it would maintain the fiction with a greater hold . M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what ...
In your view such a film would actually be less radical because it would maintain the fiction with a greater hold . M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what ...
Seite 77
forms of society and modes of political organization that these interests ( in varying proportions ) actually inhabit are not themselves a priori rational or just . “ Communicative competence " may be worth striving towards as a goal of ...
forms of society and modes of political organization that these interests ( in varying proportions ) actually inhabit are not themselves a priori rational or just . “ Communicative competence " may be worth striving towards as a goal of ...
Seite 28
Actually , this other kind of resistance is also sketched out by Foucault ( and thus must now be discussed ) , but its relation to power is much more ambiguous ; in fact he does not distinguish between the two , and in The History of ...
Actually , this other kind of resistance is also sketched out by Foucault ( and thus must now be discussed ) , but its relation to power is much more ambiguous ; in fact he does not distinguish between the two , and in The History of ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Illinois in Urbana-Champaign |
| Digitalisiert | 4. März 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |