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Seite 47
I am therefore not writing a history of the mind according to a succession of its forms or according to the thickness of its deposited meanings . I do not question the discourses concerning what silently they mean , but on the fact and ...
I am therefore not writing a history of the mind according to a succession of its forms or according to the thickness of its deposited meanings . I do not question the discourses concerning what silently they mean , but on the fact and ...
Seite 52
It has been claimed that cinema , or rather the desire for cinema , always existed , as Plato's description of the myth of the cave seemed to suggest ( at least according to Jean - Louis Baudry's interpretation of that mytho ) .
It has been claimed that cinema , or rather the desire for cinema , always existed , as Plato's description of the myth of the cave seemed to suggest ( at least according to Jean - Louis Baudry's interpretation of that mytho ) .
Seite 60
That is , according to Habermas's own admission , the " epistemological orientations ” he outlines are basic to the “ life - interests ” of the human species as such ; they are , again in his own terminology , rooted in the fundamental ...
That is , according to Habermas's own admission , the " epistemological orientations ” he outlines are basic to the “ life - interests ” of the human species as such ; they are , again in his own terminology , rooted in the fundamental ...
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Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according actually analysis appear attempt attraction become beginning body called character cinema communication completely concept concerned connotation course critical culture definition desire determined dialectic diegesis discourse effect Eisenstein elements event example existence expression fact fiction figure film forces formal fragment frame function give given Habermas hand human idea identification ideological imaginary important individual interest issue Ivan kind knowledge language laws least literature look Marxism mass material means montage movement narrative nature never notion object particular play political position possible practical precisely present principle problem produced question reference relation relationship remains representation seems sense sequence shot signifier situation social society space speak specific spectator story structure Superman Suvin Symbolic theme theory things tion translation whole women writing