Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 19
... Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse , and it is understood because the spectator / subject has acceded to ...
... Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse , and it is understood because the spectator / subject has acceded to ...
Seite 20
... Mirror Phase ( Mirror Stage ) in the movies , you have , nevertheless , the difference between the mirror properly speaking ( the mirror of the child ) , and this kind of second " mirror " which the cinema screen is . The difference is ...
... Mirror Phase ( Mirror Stage ) in the movies , you have , nevertheless , the difference between the mirror properly speaking ( the mirror of the child ) , and this kind of second " mirror " which the cinema screen is . The difference is ...
Seite 34
... Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience , " ( 1949 ) , translation in Ecrits , Norton , 1977. Here , Lacan proposes that the ego is formed through the infant's identification with the ...
... Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience , " ( 1949 ) , translation in Ecrits , Norton , 1977. Here , Lacan proposes that the ego is formed through the infant's identification with the ...
Inhalt
Editorial | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia appear articulation Barthes Basmanov Bellour Cahiers du cinéma character Christian Metz cinema close-up cognitive concept critical critique denotation detective dialectic dialectical materialism diegesis diegetic discourse ecstasy effect Eisenstein Eisensteinian elements estrangement Euphrosinia event example fact feminist fetishism figure film filmic filmmaker Foucault fragment frame Freud function genre Habermas Habermas's human idea identification ideological imaginary Ivan Ivan the Terrible Ivan's Jacques Lacan Jürgen Habermas kind language Laura Mulvey literary literature Marx Marxist means metaphor Milena Mirror Stage montage myth narrative nature notion novel object Oedipus organicism Paraguay Penthesilea political possible precisely problem produced psychoanalysis question relation relationship representation Riddles Roland Barthes science fiction sense sequence sexual shot social society specific spectator sphinx structure Superman Superman stories Suvin Syberberg's Symbolic theme theory things tion translation unconscious woman women word