Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 3Indiana University Press, 1994 |
Im Buch
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Seite 69
... film ) , Stanley Kwan's 1988 Rouge ( a " ghost " film ) , and Tsui Hark's 1992 Once Upon a Time in China Part I ( a “ kung fu " movie ) . By no means parodies of their respec- tive genres , these films use the limits of genre as a ...
... film ) , Stanley Kwan's 1988 Rouge ( a " ghost " film ) , and Tsui Hark's 1992 Once Upon a Time in China Part I ( a “ kung fu " movie ) . By no means parodies of their respec- tive genres , these films use the limits of genre as a ...
Seite 71
... films , this male space is only one of the spaces in Wong's film . There are other spaces of equal impor- tance , specifically the affective space mapped out between the hero and heroine ( the film's title in Chinese - Mongkok Carmen is ...
... films , this male space is only one of the spaces in Wong's film . There are other spaces of equal impor- tance , specifically the affective space mapped out between the hero and heroine ( the film's title in Chinese - Mongkok Carmen is ...
Seite 74
... film largely is ) , but a rational song of reconciliation , song about the end of exile through understanding . This is both the film's strength and weakness . It offers hope for understanding , but it does not address with sufficient ...
... film largely is ) , but a rational song of reconciliation , song about the end of exile through understanding . This is both the film's strength and weakness . It offers hope for understanding , but it does not address with sufficient ...
Inhalt
Tribute to Christian Metz | 3 |
Tornado Breath and Unrighteous | 29 |
Benjamin and Gesture | 46 |
Urheberrecht | |
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