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Seite 39
The screen implied by the Keating portrait is not a border between comparable places or spaces . ... between a " feast " and " that utopia , " it also moves toward a space that is a displacement of the homely terms of beginning .
The screen implied by the Keating portrait is not a border between comparable places or spaces . ... between a " feast " and " that utopia , " it also moves toward a space that is a displacement of the homely terms of beginning .
Seite 178
Or take as a second example of the affection - image the way space is built up , fragment by fragment , in the films of Bresson ( Pickpocket , The Trial of Joan of Arc , Lancelot of the Lake ) , where objects are not shown to us whole ...
Or take as a second example of the affection - image the way space is built up , fragment by fragment , in the films of Bresson ( Pickpocket , The Trial of Joan of Arc , Lancelot of the Lake ) , where objects are not shown to us whole ...
Seite 193
of culture — erasing the separate aesthetic space and interrog- ative immunities the dominant ideology offers works of art .... The political outcome of renarrating the tales of films is the display of the power relations and “ logic ...
of culture — erasing the separate aesthetic space and interrog- ative immunities the dominant ideology offers works of art .... The political outcome of renarrating the tales of films is the display of the power relations and “ logic ...
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Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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