Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 39
... scene with the shift from " feast " to " television . " Perhaps the past becomes the other scene , in a shift of temporalities as well as from place to space , with " watching " as a process ( and Keating as an image ) that can mediate ...
... scene with the shift from " feast " to " television . " Perhaps the past becomes the other scene , in a shift of temporalities as well as from place to space , with " watching " as a process ( and Keating as an image ) that can mediate ...
Seite 44
... scene of an ecstasy of Reason : in 1976 , after another period of economic and political crisis , Donald Horne wrote casually that “ Australia is one of the most ' economic ' nations in the world almost from the start its ' economy ...
... scene of an ecstasy of Reason : in 1976 , after another period of economic and political crisis , Donald Horne wrote casually that “ Australia is one of the most ' economic ' nations in the world almost from the start its ' economy ...
Seite 148
... scene of a convulsive love was an effect of the voyeuristic gaze of Honda , for whom desire is intricately linked to death — " How alike were the voices of pleasure and death ! " ( 315 ) — and who had envisioned Ying Chan as a “ dying ...
... scene of a convulsive love was an effect of the voyeuristic gaze of Honda , for whom desire is intricately linked to death — " How alike were the voices of pleasure and death ! " ( 315 ) — and who had envisioned Ying Chan as a “ dying ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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action activity American analysis argues Australian authority become belief body CALIFORNIA/RIVERSIDE calls celebrity characters cinema claims construction context critical critique cultural Deleuze Derrida describe desire discourse discussion double economic effects essentialism example exists experience fact female feminist fiction figure film gaze gender groups Honda idea identity ideology important individual intellectual interests involve issue Keating kind Labor language literary literature living male mass means movement narrative object opposition Paul perception performance political popular position postmodern practices present production question rationalism reader reading reflection relations Review rhetoric scene seems sense sexual social society space Star story structure Studies suggests television theory tion traditional turn understand University Library voyeur woman women writing Ying Chan York