Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 19
... present . These differences can emerge for me because Grossberg's text is explicitly , in part , a self - portrait . This means that his claims about past and present are framed , and limited in their general- izing force , by a ...
... present . These differences can emerge for me because Grossberg's text is explicitly , in part , a self - portrait . This means that his claims about past and present are framed , and limited in their general- izing force , by a ...
Seite 47
... present tense here refers to the fictional moment of the poem . The political narrative subtending the essay as a whole is more complex . When I began this project in 1988 , Paul Keating was the Treasurer . He resigned in June 1991 in ...
... present tense here refers to the fictional moment of the poem . The political narrative subtending the essay as a whole is more complex . When I began this project in 1988 , Paul Keating was the Treasurer . He resigned in June 1991 in ...
Seite 84
... Present 50 ( 1971 ) : 76-136 . 31 Bacon - Smith also illuminates the complexities of the attitudes fanwriters hold with regard to the legal status of the source product . On the one hand they are aware that the characters , plots ...
... Present 50 ( 1971 ) : 76-136 . 31 Bacon - Smith also illuminates the complexities of the attitudes fanwriters hold with regard to the legal status of the source product . On the one hand they are aware that the characters , plots ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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