Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 137
... perception and love . Seeing already lay within the sphere of perception , and even if Ying Chan was not aware of it , from the moment he had peeped through the luminous hole in the back of the bookcase , she had become an inhabitant of ...
... perception and love . Seeing already lay within the sphere of perception , and even if Ying Chan was not aware of it , from the moment he had peeped through the luminous hole in the back of the bookcase , she had become an inhabitant of ...
Seite 138
... perception . For Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjec- tivity . Honda literally fantasizes the scene of his own suicide , his " exit from a world contaminated by ...
... perception . For Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjec- tivity . Honda literally fantasizes the scene of his own suicide , his " exit from a world contaminated by ...
Seite 177
... perception - image , Deleuze asks whether perception in cinema is objective or subjective , and answers , with Pasolini , that it is neither . Pasolini , in what looks like a linguistic analogy , suggests that the cinematic image should ...
... perception - image , Deleuze asks whether perception in cinema is objective or subjective , and answers , with Pasolini , that it is neither . Pasolini , in what looks like a linguistic analogy , suggests that the cinematic image should ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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