Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 139
... narration of the actual voyeuristic scene . The narrative exposure of Honda's act of voyeurism is thus antici- pated and broken into myriad reflections on perception and the gaze , and this ( quasi ) -theoretical sublimation , in turn ...
... narration of the actual voyeuristic scene . The narrative exposure of Honda's act of voyeurism is thus antici- pated and broken into myriad reflections on perception and the gaze , and this ( quasi ) -theoretical sublimation , in turn ...
Seite 176
... narration . Even those modern films which seem to suspend narrative can be explained in terms of changes in syntagmatic structure which produces " dysnarratives , " a qualifica- tion that nevertheless allows the idea of an underlying ...
... narration . Even those modern films which seem to suspend narrative can be explained in terms of changes in syntagmatic structure which produces " dysnarratives , " a qualifica- tion that nevertheless allows the idea of an underlying ...
Seite 192
... narrative logic — an act regarded to be a violation of the artistic uniqueness and signifying integrity of the film . By displacing the film's dominant logic , renarrating demystifies the way that logic ... suppresses ideo- logically ...
... narrative logic — an act regarded to be a violation of the artistic uniqueness and signifying integrity of the film . By displacing the film's dominant logic , renarrating demystifies the way that logic ... suppresses ideo- logically ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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