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Seite 191
( 245-46 ) — As for Beineix's Diva , Zavarzadeh elaborates a rigorous counter- critique of the dominant notions that the film is , for instance , only a " purely pleasurable movie " or a classically " poststructuralized ” film which is ...
( 245-46 ) — As for Beineix's Diva , Zavarzadeh elaborates a rigorous counter- critique of the dominant notions that the film is , for instance , only a " purely pleasurable movie " or a classically " poststructuralized ” film which is ...
Seite 192
By displacing the film's dominant logic , renarrating demystifies the way that logic ... suppresses ideo- ... In my critiques I have renarrated films to offcenter them and , in doing so , show the " other " tale that is not told .
By displacing the film's dominant logic , renarrating demystifies the way that logic ... suppresses ideo- ... In my critiques I have renarrated films to offcenter them and , in doing so , show the " other " tale that is not told .
Seite
Queer Edward II is Jarman's poetic commentary on the making of the film , in which he re- claims a piece of gay history . The book brings the film to life with luminous photographs taken on the set , while setting Marlowe's words ...
Queer Edward II is Jarman's poetic commentary on the making of the film , in which he re- claims a piece of gay history . The book brings the film to life with luminous photographs taken on the set , while setting Marlowe's words ...
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Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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