Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 190
... film , the critique is conducted around what Zavarzadeh calls the " alphabets " of the film's ideological subtext . In the con- cluding sequence , for instance , following an entire series of " counter - intelligible tales " beginning ...
... film , the critique is conducted around what Zavarzadeh calls the " alphabets " of the film's ideological subtext . In the con- cluding sequence , for instance , following an entire series of " counter - intelligible tales " beginning ...
Seite 192
... film is to displace the film's narrative logic — an act regarded to be a violation of the artistic uniqueness and signifying integrity of the film . By displacing the film's dominant logic , renarrating demystifies the way that logic ...
... film is to displace the film's narrative logic — an act regarded to be a violation of the artistic uniqueness and signifying integrity of the film . By displacing the film's dominant logic , renarrating demystifies the way that logic ...
Seite
... film . Queer Edward II is Jarman's poetic commentary on the making of the film , in which he re- claims a piece of gay history . The book brings the film to life with luminous photographs taken on the set , while setting Marlowe's words ...
... film . Queer Edward II is Jarman's poetic commentary on the making of the film , in which he re- claims a piece of gay history . The book brings the film to life with luminous photographs taken on the set , while setting Marlowe's words ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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